Effects of Fluorescent Lighting on Color

Lighting plays a big role in the presentation of colors. Whether it's needed for photography or to create a certain atmosphere in your home, the type of lighting you use will make an impression and affect colors that surround you. Fluorescent lighting is commonly found in commercial venues.

Dull Appearance

The green tint in most fluorescent lighting can cause warm colors to appear drab and dull. But due to some innovations, pink fluorescent lights can now be purchased, which help warm colors and make them appear brighter.

Unhealthy Appearance

Another color prominent in fluorescent lighting is the color blue. The blue hue in fluorescent lighting draws out the cooler colors in its surroundings. This especially effects skin color in humans, causing them to have an unhealthy appearance.

Unnatural Appearance

Fluorescent lighting can give a fake or unnatural appearance to the colors that it illuminates. This is especially a problem in photography but can be reduced with a special camera filter, which can add more pigmentation, causing the photograph to have a more natural appearance.

---

Lighting plays a big role in the presentation of colors. Whether it's needed for photography or to create a certain atmosphere in your home, the type of lighting you use will make an impression and affect colors that surround you. Fluorescent lighting is commonly found in commercial venues.

Dull Appearance

The green tint in most fluorescent lighting can cause warm colors to appear drab and dull. But due to some innovations, pink fluorescent lights can now be purchased, which help warm colors and make them appear brighter.

Unhealthy Appearance

Another color prominent in fluorescent lighting is the color blue. The blue hue in fluorescent lighting draws out the cooler colors in its surroundings. This especially effects skin color in humans, causing them to have an unhealthy appearance.

Unnatural Appearance

Fluorescent lighting can give a fake or unnatural appearance to the colors that it illuminates. This is especially a problem in photography but can be reduced with a special camera filter, which can add more pigmentation, causing the photograph to have a more natural appearance.

---

• 
  

  Frequently Asked Questions Information on Compact Fluorescent ...

  www.energystar.gov/ia/partners/promotions/change_light/downloads/... PDF file

  Frequently Asked Questions Information on Compact Fluorescent Light Bulbs (CFLs) and Mercury November 2010 Why should people use CFLs? Switching from traditional ...

• 
  

  Fluorescent lamp - Wikipedia, the free encyclopedia

  en.wikipedia.org/wiki/Fluorescent_lamp

  A fluorescent lamp or fluorescent tube is a very low pressure mercury-vapor gas-discharge lamp that uses fluorescence to produce visible light. The electric current ...

• 
  

  Effect of Different Colors on Human Mind and Body : Facts List

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  Facts You Never Knew ... Take a minute and imagine the world around you without colors, how boring and unexciting life would be.

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  Compact fluorescent lamp - Wikipedia, the free encyclopedia

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  A compact fluorescent lamp (CFL), also called compact fluorescent light, energy-saving light, and compact fluorescent tube, is a fluorescent lamp designed to

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  www.1000bulbs.comCompact Fluorescents LED Christmas Lights Fluorescent Tubes

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  Fluorescent Bulbs - Light Bulbs - Electrical at The Home Depot

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What Is ISO in SLR?

The ISO in SLR photography is a measurement of the light sensitivity of the film you are using. Understanding what ISO means and how it affects the photos you take isn't just helpful; it's essential for achieving quality shots. When used correctly in combination with aperture and shutter speeds, the proper ISO can produce the perfect photograph.

Definition

The term ISO refers to the International Organization for Standardization and has replaced the former ASA designation. The measurement first was used with traditional film SLR cameras the ensure that different film manufacturers used chemicals that were equally sensitive to light. The ISO measurement also is used in digital photography and refers to the sensitivity of a DSLR camera's light sensor, not film itself.

Lighting

Lighting has a significant effect on which ISO you use.

When selecting which ISO to use--whether film for a traditional SLR or an ISO setting for a digital camera--lighting is the most significant variable that determines what you should choose. When the subject and surroundings are well lit, use a low ISO. Even though low ISO film is less sensitive to light, the high light levels will counteract this and leave you with a clear, crisp shot. Use high ISO in settings where light levels are low or where it would be inappropriate to use a flash, such as an orchestra concert.

Motion

Use a higher ISO for fast-moving subjects.

In addition to light, the speed and movement of your subject is another important consideration when selecting an ISO for your SLR or DSLR camera. A high ISO setting allows you to use a faster shutter speed. This is because the film needs to be exposed to light for less time to produce a well-developed shot. If your subject will be moving quickly, such as at sporting events or races, a higher ISO will let you use a fast shutter speed while still exposing the shot to enough light to develop. For stationary subjects, use a lower ISO to produce clearer results.

Stability

The stability of your camera makes a difference in which ISO film or setting is selected. A higher ISO allows for a faster shutter speed, which is especially useful when you do not have a tripod or your environment is shaky or unstable. A faster the shutter speed helps the camera avoid picking up movement of your hand. If you are using a tripod with your SLR camera, you can use a low ISO, as jittery hands won't disturb the longer shutter speed required.

Grain

A discussion about ISO in SLR and DSLR cameras is not complete without a caveat about film grain. For low-light, high-movement and unstable conditions, high ISO film may seem like the best choice, but it comes at the price of photo clarity. Because of the chemicals used, higher ISO films will produce much more film grain. The lower the ISO, the finer and less noticeable this grain becomes. Selecting an ISO is all about finding the balance of using an setting that is high enough to produce properly developed shots but low enough to maintain clarity and reduce noticeable grain.

---

The ISO in SLR photography is a measurement of the light sensitivity of the film you are using. Understanding what ISO means and how it affects the photos you take isn't just helpful; it's essential for achieving quality shots. When used correctly in combination with aperture and shutter speeds, the proper ISO can produce the perfect photograph.

Definition

The term ISO refers to the International Organization for Standardization and has replaced the former ASA designation. The measurement first was used with traditional film SLR cameras the ensure that different film manufacturers used chemicals that were equally sensitive to light. The ISO measurement also is used in digital photography and refers to the sensitivity of a DSLR camera's light sensor, not film itself.

Lighting

Lighting has a significant effect on which ISO you use.

When selecting which ISO to use--whether film for a traditional SLR or an ISO setting for a digital camera--lighting is the most significant variable that determines what you should choose. When the subject and surroundings are well lit, use a low ISO. Even though low ISO film is less sensitive to light, the high light levels will counteract this and leave you with a clear, crisp shot. Use high ISO in settings where light levels are low or where it would be inappropriate to use a flash, such as an orchestra concert.

Motion

Use a higher ISO for fast-moving subjects.

In addition to light, the speed and movement of your subject is another important consideration when selecting an ISO for your SLR or DSLR camera. A high ISO setting allows you to use a faster shutter speed. This is because the film needs to be exposed to light for less time to produce a well-developed shot. If your subject will be moving quickly, such as at sporting events or races, a higher ISO will let you use a fast shutter speed while still exposing the shot to enough light to develop. For stationary subjects, use a lower ISO to produce clearer results.

Stability

The stability of your camera makes a difference in which ISO film or setting is selected. A higher ISO allows for a faster shutter speed, which is especially useful when you do not have a tripod or your environment is shaky or unstable. A faster the shutter speed helps the camera avoid picking up movement of your hand. If you are using a tripod with your SLR camera, you can use a low ISO, as jittery hands won't disturb the longer shutter speed required.

Grain

A discussion about ISO in SLR and DSLR cameras is not complete without a caveat about film grain. For low-light, high-movement and unstable conditions, high ISO film may seem like the best choice, but it comes at the price of photo clarity. Because of the chemicals used, higher ISO films will produce much more film grain. The lower the ISO, the finer and less noticeable this grain becomes. Selecting an ISO is all about finding the balance of using an setting that is high enough to produce properly developed shots but low enough to maintain clarity and reduce noticeable grain.

---

• 
  

  Are we sure about D7100/D7000 ISO performance: Nikon DX SLR

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  Understand which ISO to use in which situation. ... ISO sensitivity expresses the speed of photographic negative materials (formerly expressed as ASA).

What Is the Difference Between 301M and 301S Logan Mat Cutters?

The major difference between the Logan 301-M mat cutter and the 301-S mat cutter is the style of cutting heads the cutter comes with. The 301-S includes both bevel and straight cutting heads, while the 301-M includes only the bevel style. The more experienced user might prefer the 301-S brand for its wider range of uses, while a novice might prefer the 301-M's simplicity.

Methods of Framing

Framing your photo is the final step in polishing your print to be hung in the home. The manner of framing is important in that it can make a big difference in how it looks when placed on your wall. To get the right kind of cut, you might like the option of having a beveled edge or a straight edge, though if you aren't picky, the simplicity of always having a straight cut might be for you.

Beveled Edges

A beveled edge provides depth.

A beveled cut is an edge that is cut at less than 90 degrees along the edge of the mat. This gives a slightly more intricate look to the print, as it appears more dramatic, while a straight cut will appear plainer. The slant also appears to feature the framed image more prominently as it brings the eye in toward the image from the frame. A bevel cut is often considered more polished and fancy, while the common viewer might not notice much difference.

Straight Edges

Straight cuts are clean

A straight cut doesn't have the same drama of the beveled cut, but also might appear more modern in that it has no frills. It simply lets the mat end where the images begin, and thus appears more spare. The straight cut would probably be used more often than a bevel in most regular modern framing situations, though having the option between the two with the 301-S might be desirable if you don't mind a slight price hike.

Price Considerations

At the time of publication, the 301-S retails for about $25 more than the 301-M, depending on where you shop. The 301-M is actually a bit rarer in 2011, having been replaced by newer models of cutter created by Logan, and thus you'd likely need to buy from secondhand dealers. The phasing out of the 301-M suggests that the 301-S overall is a more versatile and popular option. Either way, with both cutters you'll be able to get a nice look for your print, sized correctly for your frame.

---

The major difference between the Logan 301-M mat cutter and the 301-S mat cutter is the style of cutting heads the cutter comes with. The 301-S includes both bevel and straight cutting heads, while the 301-M includes only the bevel style. The more experienced user might prefer the 301-S brand for its wider range of uses, while a novice might prefer the 301-M's simplicity.

Methods of Framing

Framing your photo is the final step in polishing your print to be hung in the home. The manner of framing is important in that it can make a big difference in how it looks when placed on your wall. To get the right kind of cut, you might like the option of having a beveled edge or a straight edge, though if you aren't picky, the simplicity of always having a straight cut might be for you.

Beveled Edges

A beveled edge provides depth.

A beveled cut is an edge that is cut at less than 90 degrees along the edge of the mat. This gives a slightly more intricate look to the print, as it appears more dramatic, while a straight cut will appear plainer. The slant also appears to feature the framed image more prominently as it brings the eye in toward the image from the frame. A bevel cut is often considered more polished and fancy, while the common viewer might not notice much difference.

Straight Edges

Straight cuts are clean

A straight cut doesn't have the same drama of the beveled cut, but also might appear more modern in that it has no frills. It simply lets the mat end where the images begin, and thus appears more spare. The straight cut would probably be used more often than a bevel in most regular modern framing situations, though having the option between the two with the 301-S might be desirable if you don't mind a slight price hike.

Price Considerations

At the time of publication, the 301-S retails for about $25 more than the 301-M, depending on where you shop. The 301-M is actually a bit rarer in 2011, having been replaced by newer models of cutter created by Logan, and thus you'd likely need to buy from secondhand dealers. The phasing out of the 301-M suggests that the 301-S overall is a more versatile and popular option. Either way, with both cutters you'll be able to get a nice look for your print, sized correctly for your frame.

---

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How to Mask a Digital Image

A distinct advantage of Digital Photography is to be able to manipulate the image in post production. Most manipulations are simple in nature, like cropping the image or adjusting the contrast or brightness. There may be times that editing the image requires more complicated procedures; you may want to create a mask for an image to allow you to adjust color or brightness for only part of an image-or you may want to create an image mask to use with a page makeup program to adjust the image for printing. Some artists use masking to create basic shapes that will then be used with illustration software to create original art. This article will explore the basics of the Quick Mask feature of GIMP Image Editing software. Adobe Photoshop also has masking features, as do many other image editing programs.

Instructions

1




Open the image and use the FUZZY SELECT tool or LASSO tool to select the part of the image that you want to leave "unmasked." Remember with the FUZZY SELECT to use SHIFT and CLICK to add to the selection. Here we used the fuzzy select tool since the background is very complex; with a plain background the lasso tool may work better. Remember to ZOOM IN on the image to make selection easier regardless of the tool used.

2




The mask will cover the entire image except for the area selected. In the old days of printing, ruby colored polyester material was used to mask images while burning printing plates. Windows were cut into the masks to allow the photographic images to be burned onto plate and to prevent the text from being burned in. Masks were also used to make borders around images. Digital masks work in the same way, and as you can see, the only unmasked part of the image is what we selected. The same ruby color is used, as with the old analog method. Toggle the mask on and off using SHIFT+Q or select TOGGLE QUICKMASK from the SELECT menu.

3




To create a mask, select NEW from the FILE menu and create a new file with a white or transparent background. From the masked original, select copy and paste it into the new file. Save the file and you have created a MASK of the original.

4




This new image can be used as a printing mask or can be used as an original art file in a program like Adobe Illustrator to create an original illustration. You can invert the properties, duplicate it, create a new layer with it, colorize it or use it in a variety of special effects.

5




You can also use the mask with the original to change the color or any other image property. Masking allows you to be creative with a part of an image. When you use masking in combination with other selection tools you can dramatically alter the properties of any image or use part of any image in an original creation. It is not easy, but is worth the effort to allow the photographer to have complete control over image reproduction.

---

A distinct advantage of Digital Photography is to be able to manipulate the image in post production.

Enhance your photography skill,The Top Secret Photography Techniques

. Most manipulations are simple in nature, like cropping the image or adjusting the contrast or brightness. There may be times that editing the image requires more complicated procedures; you may want to create a mask for an image to allow you to adjust color or brightness for only part of an image-or you may want to create an image mask to use with a page makeup program to adjust the image for printing. Some artists use masking to create basic shapes that will then be used with illustration software to create original art. This article will explore the basics of the Quick Mask feature of GIMP Image Editing software. Adobe Photoshop also has masking features, as do many other image editing programs.

Instructions

1




Open the image and use the FUZZY SELECT tool or LASSO tool to select the part of the image that you want to leave "unmasked." Remember with the FUZZY SELECT to use SHIFT and CLICK to add to the selection. Here we used the fuzzy select tool since the background is very complex; with a plain background the lasso tool may work better. Remember to ZOOM IN on the image to make selection easier regardless of the tool used.

2




The mask will cover the entire image except for the area selected. In the old days of printing, ruby colored polyester material was used to mask images while burning printing plates. Windows were cut into the masks to allow the photographic images to be burned onto plate and to prevent the text from being burned in. Masks were also used to make borders around images. Digital masks work in the same way, and as you can see, the only unmasked part of the image is what we selected. The same ruby color is used, as with the old analog method. Toggle the mask on and off using SHIFT+Q or select TOGGLE QUICKMASK from the SELECT menu.

3




To create a mask, select NEW from the FILE menu and create a new file with a white or transparent background. From the masked original, select copy and paste it into the new file. Save the file and you have created a MASK of the original.

4




This new image can be used as a printing mask or can be used as an original art file in a program like Adobe Illustrator to create an original illustration. You can invert the properties, duplicate it, create a new layer with it, colorize it or use it in a variety of special effects.

5




You can also use the mask with the original to change the color or any other image property. Masking allows you to be creative with a part of an image. When you use masking in combination with other selection tools you can dramatically alter the properties of any image or use part of any image in an original creation. It is not easy, but is worth the effort to allow the photographer to have complete control over image reproduction.

---

• 
  

  Greek Debt Crisis: How Goldman Sachs Helped Greece to Mask its ...

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• CGSecurity

  www.cgsecurity.org

  BIOS setup can be password protected. You can get back your password with CmosPwd.

• How to make Hot Ice!!! Crazy - YouTube

  www.youtube.com/watch?v=aC-KOYQsIvU

  crazy experiment turning a liquid to a solid with just a touch.. amazing Costs $25-35 for 500 grams of sodium accitate. Song: Beat of the Moment Artist ...

• Gadgets :: Security & Spy Stuff :: ThinkGeek

  www.thinkgeek.com/gadgets/security

  Selling geek t-shirts, mugs, ties, high caffeine products, and many other gifts for programmers, linux hackers, and open source geeks.

• New York Public Library Digital Gallery

  digitalgallery.nypl.org

  Provides access to over 275,000 images digitized from the library collections, including illuminated manuscripts, historical maps, vintage posters, rare prints and ...