Thursday, December 31, 2015

Posted by Unknown |
Family Portrait Ideas & Examples

When it comes to family portraits, everyone wants the perfect photograph. The family wants the portrait to show the bond between all the members, and the photographer wants to bring this group to life. However, it can be hard to take a family portrait that is interesting. Many family portraits can look uninspired and too serious. By considering a few simple tips and ideas, you can relax the family members and compose an interesting photograph.

Poses

    Arrange your family members in a variety of poses. Capturing the chemistry between a couple, parents and children and even siblings can be a make-or-break factor in interesting family portraits. When you are not directing the participants, stay aware of what they are doing: you might see a smile between a brother and sister, or a kiss between a couple. If you capture these moments, they can create great family portraits.

Clothing

    Recommend to the family that they coordinate their clothing. You should advise them to avoid bright or clashing colors, prints and logos. This will make your job editing the pictures easier and will give the family the option of both color and black and white.

Composition

    Ask the family members to get close. A recurring problem with family portraits is distance between each person. By asking the participants to remove the gaps and spaces between them, the picture will emit a more positive image--one of unity and closeness. Try asking them to stand at a slight angle and overlap their shoulders, this will add a sense of closeness while removing some of the formality. Remember, if elderly family members are present you should provide a chair or stool for them to be seated on.

Humor

    Make a joke or two. Humor can be an important tool to help break any tension and relax the models. Cheesy photographer jokes like "Ok, I need everyone to get in focus" can produce some genuine smiles and even some laughs, which can make the end photograph seem much more natural. To lighten the mood you might try asking the family members to strike a pose outside of their comfort zone. This might include jumping, running or any other idea you might have. The end result will be relaxed family members and possibly an interesting portrait.

Background

    Choose the largest aperture setting you can, while ensuring all family members remain in focus. By doing this you will lose some focus on the background, making it look smooth and drawing the attention to the people. Don't be afraid to work with different backgrounds and settings, but try to choose places where the background is quiet and not busy. If there is too much in the background, then the attention will shift away from the family.


Family Portrait Ideas & Examples

When it comes to family portraits, everyone wants the perfect photograph. The family wants the portrait to show the bond between all the members, and the photographer wants to bring this group to life. However, it can be hard to take a family portrait that is interesting. Many family portraits can look uninspired and too serious. By considering a few simple tips and ideas, you can relax the family members and compose an interesting photograph.

Poses

    Arrange your family members in a variety of poses. Capturing the chemistry between a couple, parents and children and even siblings can be a make-or-break factor in interesting family portraits. When you are not directing the participants, stay aware of what they are doing: you might see a smile between a brother and sister, or a kiss between a couple. If you capture these moments, they can create great family portraits.

Clothing

    Recommend to the family that they coordinate their clothing. You should advise them to avoid bright or clashing colors, prints and logos. This will make your job editing the pictures easier and will give the family the option of both color and black and white.

Composition

    Ask the family members to get close. A recurring problem with family portraits is distance between each person. By asking the participants to remove the gaps and spaces between them, the picture will emit a more positive image--one of unity and closeness. Try asking them to stand at a slight angle and overlap their shoulders, this will add a sense of closeness while removing some of the formality. Remember, if elderly family members are present you should provide a chair or stool for them to be seated on.

Humor

    Make a joke or two. Humor can be an important tool to help break any tension and relax the models. Cheesy photographer jokes like "Ok, I need everyone to get in focus" can produce some genuine smiles and even some laughs, which can make the end photograph seem much more natural. To lighten the mood you might try asking the family members to strike a pose outside of their comfort zone. This might include jumping, running or any other idea you might have. The end result will be relaxed family members and possibly an interesting portrait.

Background

    Choose the largest aperture setting you can, while ensuring all family members remain in focus. By doing this you will lose some focus on the background, making it look smooth and drawing the attention to the people. Don't be afraid to work with different backgrounds and settings, but try to choose places where the background is quiet and not busy. If there is too much in the background, then the attention will shift away from the family.



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Tuesday, December 29, 2015

Posted by Unknown |
Features of a Document Camera

A document camera, also known as a digital visual presenter or visualizer, is essentially a camera that is elevated on a stand, pointing directly downward, like the old overhead projector. Whatever is placed beneath the camera's lens is displayed in exponential size on a computer, LCD monitor or projection screen. The document camera is an interactive tool that can enhance teaching, training, lecturing and other educational presentations.

Adjustable Viewing Capability

    A document camera has a head and arm that rotate so that you can easily view a two- or three-dimensional object from different angles. Most document cameras feature a camera lens that you can align to the eyepiece of a microscope without an optical adapter. To view objects from almost any angle, look for a document camera with a curved arm that rotates 180 degrees.

Detailed Imagery

    Document cameras have a digital zoom that captures the detail of both static and moving objects that would otherwise be unobservable to a large audience. Document cameras that feature at least a 5.2x optical and an 8x digital zoom lens can capture detail and display it on a broad screen device for general viewing.

Presentation Stages

    The presentation stage is the platform attached to the bottom of the camera. This platform is where you place objects you wish to magnify and display. Some document cameras feature a removable presentation stage, which allows you to remove the bottom platform, or stage, when you want to view larger objects like people, cars or architecture. Other models feature a stationary presentation stage that limits the viewing area to a 12-by-16-inch platform. Models with a stationary stage are generally better for viewing smaller objects like text pages and other objects that do not exceed the perimeters of the viewing area.


Features of a Document Camera

A document camera, also known as a digital visual presenter or visualizer, is essentially a camera that is elevated on a stand, pointing directly downward, like the old overhead projector. Whatever is placed beneath the camera's lens is displayed in exponential size on a computer, LCD monitor or projection screen. The document camera is an interactive tool that can enhance teaching, training, lecturing and other educational presentations.

Adjustable Viewing Capability

    A document camera has a head and arm that rotate so that you can easily view a two- or three-dimensional object from different angles. Most document cameras feature a camera lens that you can align to the eyepiece of a microscope without an optical adapter. To view objects from almost any angle, look for a document camera with a curved arm that rotates 180 degrees.

Detailed Imagery

    Document cameras have a digital zoom that captures the detail of both static and moving objects that would otherwise be unobservable to a large audience. Document cameras that feature at least a 5.2x optical and an 8x digital zoom lens can capture detail and display it on a broad screen device for general viewing.

Presentation Stages

    The presentation stage is the platform attached to the bottom of the camera. This platform is where you place objects you wish to magnify and display. Some document cameras feature a removable presentation stage, which allows you to remove the bottom platform, or stage, when you want to view larger objects like people, cars or architecture. Other models feature a stationary presentation stage that limits the viewing area to a 12-by-16-inch platform. Models with a stationary stage are generally better for viewing smaller objects like text pages and other objects that do not exceed the perimeters of the viewing area.



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Posted by Unknown |

While photographers often prefer to use natural lighting when taking photographs, that isn't always possible. There will always be times when lighting is poor. Whenever that is the case, a fill flash will almost always be necessary. Unfortunately, if the flash isn't properly prepared and set up, it may not be able to do its job with precision. Below are tips for using fill flash with Pentax cameras.

Instructions

    1

    Determine whether to use the camera's internal flash or a separate flash attachment. Fill flash photography often requires a separate flash. It may be necessary to move the flash slightly to one side or the other or up and down in order to "fill" in the areas of the photograph that are going to be the darkest.

    2

    Make certain that the flash chosen has a sensor capable of reading the amount of light within the photo area. Most flashes do have such a sensor. However, some extremely outdated models may not be as effective as the newer ones, making a case for a separate flash attachment.

    3

    Choose a flash with multiple settings, whenever possible. Panoramic, scenery, and night photos as well as others where the subject is located a distance away may require a slightly strengthened flash burst. However, most snapshots and close up photography require a bit less flash lighting.

    4

    Use manual flash units whenever you want full control over how the fill flash works. Choose automatic flashes when you want the flash to make all of the determinations for you. Dedicated flashes uses the camera's own information to decide the right shutter speed, amount of light exposure required, and the brightness and duration of the flash. Use built-in flashes for most standard photographs with minimal fill flash requirements.

    5

    Set manual flashes to match the camera's setting. Using the flash's setting mechanism, set the flash to match the speed of the film being used. Also establish the distance between you and the subject. Most flashes have what is known as an exposure calculator which will then help you establish the right aperture setting as well.

    6

    Set the aperture of automatic flashes. The unit will then take over to determine how much light to use in order to fill in the area around the subject. Based on that information, it will determine when the flash is required and when it is not. Most will automatically turn themselves off once a determination has been made that the flash is not required.

    7

    Turn on a dedicated flash and take one or two practice shots with a digital camera to make certain the flash unit is reading correctly. If so, you are set to continue. If not, you may need to override the unit to establish the settings that you want.

    8

    Synchronize the flash with the Pentax camera being used. Follow the instructions given with the flash attachment (if separate from the camera) or camera unit.

    9

    Take several digital test shots to determine if the fill flash is working as desired. If so, you are set to continue. If not, refer to the troubleshooting section of the unit's flash or camera instructions.


While photographers often prefer to use natural lighting when taking photographs, that isn't always possible. There will always be times when lighting is poor.

Enhance your photography skill,The Top Secret Photography Techniques

. Whenever that is the case, a fill flash will almost always be necessary. Unfortunately, if the flash isn't properly prepared and set up, it may not be able to do its job with precision. Below are tips for using fill flash with Pentax cameras.

Instructions

    1

    Determine whether to use the camera's internal flash or a separate flash attachment. Fill flash photography often requires a separate flash. It may be necessary to move the flash slightly to one side or the other or up and down in order to "fill" in the areas of the photograph that are going to be the darkest.

    2

    Make certain that the flash chosen has a sensor capable of reading the amount of light within the photo area. Most flashes do have such a sensor. However, some extremely outdated models may not be as effective as the newer ones, making a case for a separate flash attachment.

    3

    Choose a flash with multiple settings, whenever possible. Panoramic, scenery, and night photos as well as others where the subject is located a distance away may require a slightly strengthened flash burst. However, most snapshots and close up photography require a bit less flash lighting.

    4

    Use manual flash units whenever you want full control over how the fill flash works. Choose automatic flashes when you want the flash to make all of the determinations for you. Dedicated flashes uses the camera's own information to decide the right shutter speed, amount of light exposure required, and the brightness and duration of the flash. Use built-in flashes for most standard photographs with minimal fill flash requirements.

    5

    Set manual flashes to match the camera's setting. Using the flash's setting mechanism, set the flash to match the speed of the film being used. Also establish the distance between you and the subject. Most flashes have what is known as an exposure calculator which will then help you establish the right aperture setting as well.

    6

    Set the aperture of automatic flashes. The unit will then take over to determine how much light to use in order to fill in the area around the subject. Based on that information, it will determine when the flash is required and when it is not. Most will automatically turn themselves off once a determination has been made that the flash is not required.

    7

    Turn on a dedicated flash and take one or two practice shots with a digital camera to make certain the flash unit is reading correctly. If so, you are set to continue. If not, you may need to override the unit to establish the settings that you want.

    8

    Synchronize the flash with the Pentax camera being used. Follow the instructions given with the flash attachment (if separate from the camera) or camera unit.

    9

    Take several digital test shots to determine if the fill flash is working as desired. If so, you are set to continue. If not, refer to the troubleshooting section of the unit's flash or camera instructions.



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Posted by Unknown |
How to Make Camera Ready Art

Making camera-ready art involves some planning; this is the easiest way to ensure that your photo session goes as smoothly as possible. Whether you are taking photos for a class or for pleasure, you will find that camera-ready art fits into two categories: the things that you have planned and the "fortunate accidents" that you have not planned that have, nonetheless, resulted in a powerful or emotional shot. Because art is a matter of opinion, the most you can be instructed on how to make camera-ready art is on how to approach and execute your plan.

Instructions

    1

    Think about what you want your art to say. Photographic art as you may know is a graphic depiction of what an artist thinks about a topic or topics.

    2

    Choose a film type. For your vision will you want color, or black and white film? If you have a digital camera, this doesn't matter as much yet.

    3

    Choose a scene. For example you want to make a statement about how science is going to destroy the world, you might choose a laboratory.

    4

    Gather models. If your scene requires people, schedule when they are available and inform them ahead of time what they should wear.

    5

    Setup your lights and camera prior to when the models arrive. If your models have to sit-around while you set things up, they might become tired, hungry and increasingly difficult to work with.

    6

    Direct your models. Use identifiable words to get them to convey an emotion. For example, if you want them to look sad, you might say, "Your mother is hurt." If you want them to pretend like you're not there, you might tell them they are "on a walk in the park."


How to Make Camera Ready Art

Making camera-ready art involves some planning; this is the easiest way to ensure that your photo session goes as smoothly as possible. Whether you are taking photos for a class or for pleasure, you will find that camera-ready art fits into two categories: the things that you have planned and the "fortunate accidents" that you have not planned that have, nonetheless, resulted in a powerful or emotional shot. Because art is a matter of opinion, the most you can be instructed on how to make camera-ready art is on how to approach and execute your plan.

Instructions

    1

    Think about what you want your art to say. Photographic art as you may know is a graphic depiction of what an artist thinks about a topic or topics.

    2

    Choose a film type. For your vision will you want color, or black and white film? If you have a digital camera, this doesn't matter as much yet.

    3

    Choose a scene. For example you want to make a statement about how science is going to destroy the world, you might choose a laboratory.

    4

    Gather models. If your scene requires people, schedule when they are available and inform them ahead of time what they should wear.

    5

    Setup your lights and camera prior to when the models arrive. If your models have to sit-around while you set things up, they might become tired, hungry and increasingly difficult to work with.

    6

    Direct your models. Use identifiable words to get them to convey an emotion. For example, if you want them to look sad, you might say, "Your mother is hurt." If you want them to pretend like you're not there, you might tell them they are "on a walk in the park."



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