Saturday, January 3, 2015

Posted by Unknown |
How to Take Pictures With Different Lighting

Altering the lighting on a subject matter can create dramatically different photographic images. From creating dark, ominous shadows by using a single light, to creating warmly lit photos by utilizing several studio lamps and reflective umbrellas, lighting can be the key to creating different moods in images. Whether you are using a professional studio or your spare bedroom, using lights can make still life's dynamic, portraits evocative and product shots more professional. It may take lots of adjustment to get the effect you want. But through trial and error, you can create the shots you need in one day.

Instructions

    1

    Construct the backdrop stand and place the black muslin backdrop over the frame. Make sure that the muslin is of an equal length either side so that it does not slip off of the frame.

    2

    Affix the studio lamps to the lighting tripod by screwing them onto the fixtures at the top of the tripod. Plug the lamps into a power outlet. Attach the reflective umbrellas to the lighting tripod and open them up.

    3

    Set up the camera on the camera tripod. Place the photographic subject matter in front of the black muslin backdrop. Position the lights so that the lamps face away from the subject matter. Turn on the lamps. Move the lamps around to create a variety of different illuminations on the surface of the subject matter.

    4

    Use the camera to record images of the subject matter with the lighting in different positions. To create darker, moodier images, move the lamps further away and switch off one of them in the process. This will create more shadows and a dark atmosphere. To take pictures of the subject matter in a brighter more dynamic light, move the lamps closer towards the subject matter, illuminating all the sides.

    5

    To change the look and the feel of the photos, change the muslin backdrop from black to white. Repeat the shooting process of the previous steps. Move the lighting around to create more or less shadows.


How to Take Pictures With Different Lighting

Altering the lighting on a subject matter can create dramatically different photographic images. From creating dark, ominous shadows by using a single light, to creating warmly lit photos by utilizing several studio lamps and reflective umbrellas, lighting can be the key to creating different moods in images. Whether you are using a professional studio or your spare bedroom, using lights can make still life's dynamic, portraits evocative and product shots more professional. It may take lots of adjustment to get the effect you want. But through trial and error, you can create the shots you need in one day.

Instructions

    1

    Construct the backdrop stand and place the black muslin backdrop over the frame. Make sure that the muslin is of an equal length either side so that it does not slip off of the frame.

    2

    Affix the studio lamps to the lighting tripod by screwing them onto the fixtures at the top of the tripod. Plug the lamps into a power outlet. Attach the reflective umbrellas to the lighting tripod and open them up.

    3

    Set up the camera on the camera tripod. Place the photographic subject matter in front of the black muslin backdrop. Position the lights so that the lamps face away from the subject matter. Turn on the lamps. Move the lamps around to create a variety of different illuminations on the surface of the subject matter.

    4

    Use the camera to record images of the subject matter with the lighting in different positions. To create darker, moodier images, move the lamps further away and switch off one of them in the process. This will create more shadows and a dark atmosphere. To take pictures of the subject matter in a brighter more dynamic light, move the lamps closer towards the subject matter, illuminating all the sides.

    5

    To change the look and the feel of the photos, change the muslin backdrop from black to white. Repeat the shooting process of the previous steps. Move the lighting around to create more or less shadows.



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Friday, January 2, 2015

Posted by Unknown |

The quality of your photographic print depends on the quality paper you use. Choosing your photo paper is just as important as choosing a camera and printer. You want to display the pictures you have taken on the best paper possible. The quality of your photo print is dependent on things such as the finish, durability and paper whiteness.

Finishes

    There are different finishes of paper you can select. They can be glossy, matte or textured. Glossy or semi-gloss paper will print photos rich in color but may produce a glare that can obscure the beauty of the picture. Matte papers will produce a better contrast compared to glossy photos and hold finer detail as well. Textured paper is ideal for photos you wish to frame. Like matte paper, textured paper delivers excellent contrast and color except it will be rough in feel.

Paper Whiteness

    Some papers have whitening agents added to them. There is nothing wrong with very white paper however the whitening agents may change the color of your photo. It can create a subtle change in appearance in your image. Make sure to select a paper that does not have any whitening agents or brighteners. You will be able to tell whether or not a paper has been whitened by looking at the back side of the printing paper. If it is not as white as the printing side, it is likely that it has been whitened.


The quality of your photographic print depends on the quality paper you use. Choosing your photo paper is just as important as choosing a camera and printer. You want to display the pictures you have taken on the best paper possible. The quality of your photo print is dependent on things such as the finish, durability and paper whiteness.

Finishes

    There are different finishes of paper you can select. They can be glossy, matte or textured. Glossy or semi-gloss paper will print photos rich in color but may produce a glare that can obscure the beauty of the picture. Matte papers will produce a better contrast compared to glossy photos and hold finer detail as well. Textured paper is ideal for photos you wish to frame. Like matte paper, textured paper delivers excellent contrast and color except it will be rough in feel.

Paper Whiteness

    Some papers have whitening agents added to them. There is nothing wrong with very white paper however the whitening agents may change the color of your photo. It can create a subtle change in appearance in your image. Make sure to select a paper that does not have any whitening agents or brighteners. You will be able to tell whether or not a paper has been whitened by looking at the back side of the printing paper. If it is not as white as the printing side, it is likely that it has been whitened.



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Posted by Unknown |
Family Portrait Clothing & Posing Ideas

Family portraits are the perfect way to chronicle a moment in time shared by you and your loved ones. These sometimes goofy, sometimes elegant portraits are a way of preserving this memory for years and years to come. If you are a photographer looking for the perfect shot your subject will treasure forever, there are some basic guidelines and styles you can try.

Theme-Coordinated Clothing

    Having members of a family dress in theme-coordinated clothing might sound campy, but it actually helps to unify the photo. If the members of the family are dressed in ways that are inconsistent, as in one is wearing a Christmas sweater, while another is wearing a t-shirt, this will stand out in the photo more than the smiling faces. The family's clothing does not have to be matching, it simply needs to be in the same color scheme, use the same fabric choices or be the right style of garment. For example, it would look odd if one member of the family is dressed formally, while another is wearing jeans.

Get in Closer

    Perhaps the first rule of posing a family portrait is to get in closer. If the family members are too far apart from each other, the background will come into focus and may distract in the photo. If possible, try blurring the background so the family stays in the forefront of the photo. When posing for family portraits, family members should be grouped together to symmetrically and evenly fill space in the photos.

Have Fun

    Family portraits are more than just a picture of a family---they are an indication as to who that family is. Try having fun with the photo's setting and posing. There is no need to have the family stoic or smiling in a forced fashion with a solid black background. Take the family outside, give them props, encourage them to cut loose and have fun. This will help the smiles to seem more real and will give the viewer a sense of the family's spirit.


Family Portrait Clothing & Posing Ideas

Family portraits are the perfect way to chronicle a moment in time shared by you and your loved ones. These sometimes goofy, sometimes elegant portraits are a way of preserving this memory for years and years to come. If you are a photographer looking for the perfect shot your subject will treasure forever, there are some basic guidelines and styles you can try.

Theme-Coordinated Clothing

    Having members of a family dress in theme-coordinated clothing might sound campy, but it actually helps to unify the photo. If the members of the family are dressed in ways that are inconsistent, as in one is wearing a Christmas sweater, while another is wearing a t-shirt, this will stand out in the photo more than the smiling faces. The family's clothing does not have to be matching, it simply needs to be in the same color scheme, use the same fabric choices or be the right style of garment. For example, it would look odd if one member of the family is dressed formally, while another is wearing jeans.

Get in Closer

    Perhaps the first rule of posing a family portrait is to get in closer. If the family members are too far apart from each other, the background will come into focus and may distract in the photo.

    Enhance your photography skill,The Top Secret Photography Techniques

    . If possible, try blurring the background so the family stays in the forefront of the photo. When posing for family portraits, family members should be grouped together to symmetrically and evenly fill space in the photos.

Have Fun

    Family portraits are more than just a picture of a family---they are an indication as to who that family is. Try having fun with the photo's setting and posing. There is no need to have the family stoic or smiling in a forced fashion with a solid black background. Take the family outside, give them props, encourage them to cut loose and have fun. This will help the smiles to seem more real and will give the viewer a sense of the family's spirit.



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Posted by Unknown |

Most people regard geometric composition as the use of geometric shapes in art. Although a myriad of artists use this skill in drawing and painting, applying geometric composition to photography is less common. After obtaining a good camera, you can begin concentrating on learning how to apply this skill in photography.

Instructions

    1

    Find a good camera that you're comfortable with to create your images. Currently, digital cameras are the most popular.

    2

    Explore the different settings on your camera. Find out if your cameras offers a variety of color modes. Test out the neutral setting which creates a natural look, the saturated mode causes colors to appear radiant and pronounced. The sepia tone creates a brownish tint and lends to an old-fashion appearance.

    3

    Decide on a scene to photograph. Take a walk outdoors and find a natural scene. Choose a still life setting. Remember that the subject you select to photograph could affect the color mode on your camera.

    4

    Photograph three objects in each scene as a general rule. Although this strategy is by no means required, it often makes for an effective image. The outside objects act as a frame and the inner object becomes the focal point.

    5

    Use diagonal lines to draw even attention to the focal point. These diagonal lines can be either real or imaginary.

    6

    Frame the image with something in the foreground. Start by photographing a house, use a tree or a bush in the foreground as a frame for your focal point.


Most people regard geometric composition as the use of geometric shapes in art. Although a myriad of artists use this skill in drawing and painting, applying geometric composition to photography is less common. After obtaining a good camera, you can begin concentrating on learning how to apply this skill in photography.

Instructions

    1

    Find a good camera that you're comfortable with to create your images. Currently, digital cameras are the most popular.

    2

    Explore the different settings on your camera. Find out if your cameras offers a variety of color modes. Test out the neutral setting which creates a natural look, the saturated mode causes colors to appear radiant and pronounced. The sepia tone creates a brownish tint and lends to an old-fashion appearance.

    3

    Decide on a scene to photograph. Take a walk outdoors and find a natural scene. Choose a still life setting. Remember that the subject you select to photograph could affect the color mode on your camera.

    4

    Photograph three objects in each scene as a general rule.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Although this strategy is by no means required, it often makes for an effective image. The outside objects act as a frame and the inner object becomes the focal point.

    5

    Use diagonal lines to draw even attention to the focal point. These diagonal lines can be either real or imaginary.

    6

    Frame the image with something in the foreground. Start by photographing a house, use a tree or a bush in the foreground as a frame for your focal point.



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Posted by Unknown |
How to Become a Better Photographer

How to Become a Better Photographer. One of the eHow's most searched topics in photography is how to be a better photographer. At first, I thought this was an impossible topic to address. Photography has so many variables that I thought it would take books to answer the question. As I thought about it more, I realized that it could be broken down into seven general categories or steps. Some may think that this is an over-simplification, and it really is since the topic is vast. However, if you think about it as I outline these seven steps, you may see a method of focus (no pun intended) that will improve your skills as a photographer.

Instructions

    1

    Plan Your Composition. Before you pick up the camera know what it is that you want to photograph. Think about the image using the Rule of Thirds as a guide to help you think about what it is you want the viewer to see. Then think about the scene you will photograph in terms of eye flow. Where and what is the subject? Are there secondary subjects? How to they fit into the image plan. This planning has to happen instantly if you are taking candid shots, but it still has to happen if you want your image to have impact. In the studio, take as long as you need to set up the shot.

    2

    Know Your Subject. This model needed photographs for her portfolio, but she was very camera shy at first and slightly nervous. To relax her, I did a series of photographs of her applying makeup where she did not have to look directly into the lens. The rest of the session was easy, but I still like this shot which was one of the first in the makeup series. It doesn't matter if your subject is a tree, a person or a big old bear; you need to understand the motivation and composition of the subject before you can plan an effective image.

    3

    Control Your Lighting. This is easy to do as we did in this studio shot for a glass manufacturer. In the studio you can use lights, umbrellas, mist machines and anything else you can think of to control the light. It is harder to do when you are outside, unless you are famous and have a crew and a catering truck. The same umbrellas you use in the studio can be used outdoors to reflect light onto a subject and black umbrellas can be used to block light. Don't have umbrellas? Use white or black construction paper on stands or held by a gaffer (or anyone you can get to do it). You can also use trees and other natural elements to help you control the light.

    4

    Know Your Equipment. Practice with your equipment. The more you use it, the more comfortable you will be. The digital age is marvelous because you don't have to "burn film" to learn from your mistakes. Go through the manual and take shots using each feature to become familiar with it. Know how to adjust shutter speed, ISO, F-Stop and white balance. Learn how to bracket exposures and take multiple shots. Learn about the special shooting options, how to change lenses and how to take care of your equipment.

    5

    Learn the Zone System. Ansel Adams invented the concept of the Zone System, which breaks down the exposure range into 10 distinct steps from Zone Zero, which is pure black to Zone Ten, which is pure white. Each zone is equal to one F-Stop change in exposure. Having tonal separations in your image makes it seem full and complete. Take a look at any of Adams' images and you will be able to see the separation of the zones, indicating proper exposure and in the old days, film development. What makes his work special is being able to see the detail in the shadows and the highlights through meticulous application of the Zone System.

    6

    Learn About Color. If you are taking color pictures you need to learn about color. It is a complex issue made even more complex by the fact that no two people see color the same. What we see is controlled by the cones in the fovea of our eye, and no people have the same amount and types of cones. In order to see a red apple the light strikes the apple where green and blue light are absorbed by the apple and red light is reflected into our eye. Understanding color will take time, but is well worth it to improve your photography skills.

    7

    Recognize the Moment. Henri Cartier Bresson said the most important thing about his photography was recognizing the exact right moment to take a picture. Every subject, even a landscape, has the one right moment for the image exposure. In a landscape it could be a certain time of the day. While this image was created in the darkroom, both of the blended images were taken at exactly the right time, which is what makes the composite an award-winning photograph.


How to Become a Better Photographer

How to Become a Better Photographer. One of the eHow's most searched topics in photography is how to be a better photographer. At first, I thought this was an impossible topic to address. Photography has so many variables that I thought it would take books to answer the question. As I thought about it more, I realized that it could be broken down into seven general categories or steps. Some may think that this is an over-simplification, and it really is since the topic is vast. However, if you think about it as I outline these seven steps, you may see a method of focus (no pun intended) that will improve your skills as a photographer.

Instructions

    1

    Plan Your Composition.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Before you pick up the camera know what it is that you want to photograph. Think about the image using the Rule of Thirds as a guide to help you think about what it is you want the viewer to see. Then think about the scene you will photograph in terms of eye flow. Where and what is the subject? Are there secondary subjects? How to they fit into the image plan. This planning has to happen instantly if you are taking candid shots, but it still has to happen if you want your image to have impact. In the studio, take as long as you need to set up the shot.

    2

    Know Your Subject. This model needed photographs for her portfolio, but she was very camera shy at first and slightly nervous. To relax her, I did a series of photographs of her applying makeup where she did not have to look directly into the lens. The rest of the session was easy, but I still like this shot which was one of the first in the makeup series. It doesn't matter if your subject is a tree, a person or a big old bear; you need to understand the motivation and composition of the subject before you can plan an effective image.

    3

    Control Your Lighting. This is easy to do as we did in this studio shot for a glass manufacturer. In the studio you can use lights, umbrellas, mist machines and anything else you can think of to control the light. It is harder to do when you are outside, unless you are famous and have a crew and a catering truck. The same umbrellas you use in the studio can be used outdoors to reflect light onto a subject and black umbrellas can be used to block light. Don't have umbrellas? Use white or black construction paper on stands or held by a gaffer (or anyone you can get to do it). You can also use trees and other natural elements to help you control the light.

    4

    Know Your Equipment. Practice with your equipment. The more you use it, the more comfortable you will be. The digital age is marvelous because you don't have to "burn film" to learn from your mistakes. Go through the manual and take shots using each feature to become familiar with it. Know how to adjust shutter speed, ISO, F-Stop and white balance. Learn how to bracket exposures and take multiple shots. Learn about the special shooting options, how to change lenses and how to take care of your equipment.

    5

    Learn the Zone System. Ansel Adams invented the concept of the Zone System, which breaks down the exposure range into 10 distinct steps from Zone Zero, which is pure black to Zone Ten, which is pure white. Each zone is equal to one F-Stop change in exposure. Having tonal separations in your image makes it seem full and complete. Take a look at any of Adams' images and you will be able to see the separation of the zones, indicating proper exposure and in the old days, film development. What makes his work special is being able to see the detail in the shadows and the highlights through meticulous application of the Zone System.

    6

    Learn About Color. If you are taking color pictures you need to learn about color. It is a complex issue made even more complex by the fact that no two people see color the same. What we see is controlled by the cones in the fovea of our eye, and no people have the same amount and types of cones. In order to see a red apple the light strikes the apple where green and blue light are absorbed by the apple and red light is reflected into our eye. Understanding color will take time, but is well worth it to improve your photography skills.

    7

    Recognize the Moment. Henri Cartier Bresson said the most important thing about his photography was recognizing the exact right moment to take a picture. Every subject, even a landscape, has the one right moment for the image exposure. In a landscape it could be a certain time of the day. While this image was created in the darkroom, both of the blended images were taken at exactly the right time, which is what makes the composite an award-winning photograph.



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