Friday, October 21, 2016

Posted by Unknown |
What Are Silver Gelatin Photos?

Before the "color revolution" in photography, almost all photographs (including snapshots) were gelatin silver prints. These types of photographs exploited the reaction that occurs between silver salts and light to print images from film onto specially treated paper. This process was widely adopted in the 1890s and remained popular, especially in art photography, until film photography was largely replaced by digital photography.

Layers

    There are four layers that make up a silver gelatin photo print. There is a paper base on the bottom, made of rags originally, but made of wood pulp after World War I. On top of that is a "baryta," which is a white coating made of barium sulfate suspended in gelatin. Above that is a gelatin binder that holds silver particles. And on top is a hardened gelatin layer, called the overcoat (or supercoat or topcoat), that protects the print surface.

Silver

    The silver that is present in a silver gelatin print is in silver salt particles of about 0.5 micrometers in diameter. The paper appears to be white, but when light reacts with the silver salt particles, each bit of silver turns into a dark speck. All of the dark specks create an image when light is filtered through photographic film onto the photographic paper. The paper is then rinsed clean of the silver particles that did not react with light.

Gels

    Gelatin is used in these prints because it both protects the photographs when dry, and swells when immersed in developing chemicals. This allows the silver to react with the developers when the artist chooses, and then stop reacting when the photograph is no longer exposed to developer. Gelatin is an organic substance, made from animal skin and bones.

Baryta

    The baryta layer that sits between the silver gel and the paper base is only present to provide a smooth white surface. In art photography, the baryta layer can have added dyes to bring out certain colors. It can also have an embossed surface to provide an additional layer of texture to the print.

Black & White Film

    When taking a picture on black and white film, the image is an inverse of the image that will be printed. The parts of the image that are especially dark will not allow light to pass through the film, and so light will not fall on the photographic paper. Black and white film is an important part of producing silver gelatin photographs because it allows for sharper resolution in the images than other types of film.


What Are Silver Gelatin Photos?

Before the "color revolution" in photography, almost all photographs (including snapshots) were gelatin silver prints. These types of photographs exploited the reaction that occurs between silver salts and light to print images from film onto specially treated paper. This process was widely adopted in the 1890s and remained popular, especially in art photography, until film photography was largely replaced by digital photography.

Layers

    There are four layers that make up a silver gelatin photo print. There is a paper base on the bottom, made of rags originally, but made of wood pulp after World War I. On top of that is a "baryta," which is a white coating made of barium sulfate suspended in gelatin. Above that is a gelatin binder that holds silver particles. And on top is a hardened gelatin layer, called the overcoat (or supercoat or topcoat), that protects the print surface.

Silver

    The silver that is present in a silver gelatin print is in silver salt particles of about 0.5 micrometers in diameter. The paper appears to be white, but when light reacts with the silver salt particles, each bit of silver turns into a dark speck. All of the dark specks create an image when light is filtered through photographic film onto the photographic paper. The paper is then rinsed clean of the silver particles that did not react with light.

Gels

    Gelatin is used in these prints because it both protects the photographs when dry, and swells when immersed in developing chemicals. This allows the silver to react with the developers when the artist chooses, and then stop reacting when the photograph is no longer exposed to developer. Gelatin is an organic substance, made from animal skin and bones.

Baryta

    The baryta layer that sits between the silver gel and the paper base is only present to provide a smooth white surface. In art photography, the baryta layer can have added dyes to bring out certain colors. It can also have an embossed surface to provide an additional layer of texture to the print.

Black & White Film

    When taking a picture on black and white film, the image is an inverse of the image that will be printed. The parts of the image that are especially dark will not allow light to pass through the film, and so light will not fall on the photographic paper. Black and white film is an important part of producing silver gelatin photographs because it allows for sharper resolution in the images than other types of film.



  • The Gelatin Silver Print: Photographic Processes - YouTube

    www.youtube.com/watch?v=iSBFrPWPS80

    Photography has shaped the way we remember and how we are reminded. Photography has created an incredible cultural shift--our communication and


  • About - Black and white photo prints Silver Gelatin prints ...

    www.ilfordlab.com/page/53/About-Us.htm

    Ilford Lab process black and white prints from film and digital files to real silver gelatin photographic paper


  • Darkroom Photography Techniques : How to Make a Silver Gelatin ...

    www.youtube.com/watch?v=D1suUnBrOHE

    Making a silver gelatin darkroom print involves placing the exposed print paper in the developing solution, moving it to the stop bath, soaking it in the ...


  • Gelatin Silver Print

    gelatinsilverprint.com

    The image that is commonly known as a black and white photographic print is created from a film's negative. The film suspends light-sensitive silver halides in a ...


  • How to Make Silver Gelatin Black and White Darkroom Contact

    www.blackandwhitefineart.net/2011/05/how-to-make-darkroom-contact...

    Tim Layton discusses in detail how to make black and white silver gelatin darkroom contact prints. Read more to find out how:


  • A Guide to Fiber-base Gelatin Silver Print Condition and ...

    gawainweaver.com/images/uploads/Weaver_Guide_to_Gelatin_Silver.pdf PDF file

    George Eastman House, International Museum of Photography and Film Image Permanence Institute, Rochester Institute of Technology. A Guide to Fiber-Base Gelatin Silver ...


  • Welcome to ILFORD PHOTO

    www.ilfordphoto.com/products/producttype.asp?n=4&t=Photographic...

    Black and white RC Glossy paper specially suited to optical digital exposure systems


  • Welcome to the ILFORD Lab Direct website - Black and white photo ...

    www.ilfordlab.com

    Ilford Lab process black and white prints from film and digital files to real silver gelatin photographic paper

0 comments:

Post a Comment