The H3D is an advanced digital medium-format camera from Hasselblad. It has been replaced by the H4D and is no longer in production. The H3D was available with 31, 39, or 50 megapixels. H3Ds are often used with studio strobe lights, as they are popular in fashion and creative stock photography. However, there are several techniques for using the H3D with existing light, forgoing the need for artificial illumination. Existing-light techniques are useful for quick casual shoots or shoots requiring you to travel with minimal gear.
Window Lighting
Place your subject inside and near a window to capture dramatic natural light. A north-facing window is ideal as it faces away from direct sunlight. The light of the sky feeds through the window, highlighting part of the subject while leaving the rest darker. This type of shot is common in wedding photography, when the bride is looking out the window. It is also common in traditional portraiture. To add a softening effect to window light, cover the window on the outside with a white sheet. This will diffuse the light.
Subtractive Lighting
Hold a black sheet of construction paper to one side of your subject during an overcast, outdoor photo shoot. Set the Hasselblad H3D camera to cloudy white balance. The black construction paper will create a shadow on one side of the subject's face. The cloudy white balance will warm the cooler tones from the clouds. The result is a softly lit subject with flattering tonal variation in the face.
Reflecting Midday Light
Fill in shadows caused by midday light, using a reflector. When shooting outside, it is common for the sun to cast hard shadows over the face, making for an unflattering picture. A reflector, whether it is a manufactured reflector or simply a piece of foam board, can fill in the unflattering shadows on the subject. This creates a flattering midday photograph with the Hasselblad H3D, with the sun producing a bright hair light and the reflector clearly illuminating the face.
White Wall Reflection
Find a white wall outside when the sun is high. Compose your photographs in the H3D so that the subject is facing the white wall. The sun will reflect off the wall and evenly illuminate the subject. The result is similar to that from using a white reflector; however, the wall is much larger and will produce an even softer feel.
Background Focus
Widen the aperture of the lens on the H3D in order to increase background blur. Remember that the smallest f-numbers, such as f3 .5, represent the wider apertures. The wider the aperture, the shallower the depth of field, with more background blur. To have more of the image in focus, use a smaller aperture.
How much blur is in the picture is up to the photographer, but most traditional portraits have very blurred backgrounds to minimize distraction from the subject. Landscape shots typically use narrower apertures, to get more of the frame in focus. Experiment with wide and narrow depth of field on the Hasselblad H3D. Most HD lenses have a maximum aperture of 3.5 or 4. Their minimum aperture is f22.
The H3D is an advanced digital medium-format camera from Hasselblad. It has been replaced by the H4D and is no longer in production. The H3D was available with 31, 39, or 50 megapixels. H3Ds are often used with studio strobe lights, as they are popular in fashion and creative stock photography. However, there are several techniques for using the H3D with existing light, forgoing the need for artificial illumination. Existing-light techniques are useful for quick casual shoots or shoots requiring you to travel with minimal gear.
Window Lighting
Place your subject inside and near a window to capture dramatic natural light. A north-facing window is ideal as it faces away from direct sunlight. The light of the sky feeds through the window, highlighting part of the subject while leaving the rest darker. This type of shot is common in wedding photography, when the bride is looking out the window. It is also common in traditional portraiture. To add a softening effect to window light, cover the window on the outside with a white sheet. This will diffuse the light.
Subtractive Lighting
Hold a black sheet of construction paper to one side of your subject during an overcast, outdoor photo shoot. Set the Hasselblad H3D camera to cloudy white balance. The black construction paper will create a shadow on one side of the subject's face. The cloudy white balance will warm the cooler tones from the clouds. The result is a softly lit subject with flattering tonal variation in the face.
Reflecting Midday Light
Fill in shadows caused by midday light, using a reflector. When shooting outside, it is common for the sun to cast hard shadows over the face, making for an unflattering picture. A reflector, whether it is a manufactured reflector or simply a piece of foam board, can fill in the unflattering shadows on the subject. This creates a flattering midday photograph with the Hasselblad H3D, with the sun producing a bright hair light and the reflector clearly illuminating the face.
White Wall Reflection
Find a white wall outside when the sun is high. Compose your photographs in the H3D so that the subject is facing the white wall. The sun will reflect off the wall and evenly illuminate the subject. The result is similar to that from using a white reflector; however, the wall is much larger and will produce an even softer feel.
Background Focus
Widen the aperture of the lens on the H3D in order to increase background blur. Remember that the smallest f-numbers, such as f3 .5, represent the wider apertures. The wider the aperture, the shallower the depth of field, with more background blur. To have more of the image in focus, use a smaller aperture.
How much blur is in the picture is up to the photographer, but most traditional portraits have very blurred backgrounds to minimize distraction from the subject. Landscape shots typically use narrower apertures, to get more of the frame in focus. Experiment with wide and narrow depth of field on the Hasselblad H3D. Most HD lenses have a maximum aperture of 3.5 or 4. Their minimum aperture is f22.
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