Wedding photography usually demands a variety of lighting techniques. A well-rounded wedding shoot incorporates detachable flash units, ambient lighting and mono lights on stands to capture a variety of elements throughout the day's proceedings.
Instructions
- 1
Attach a detachable flash unit to your camera with an off-camera flash cord for photojournalistic shots of the wedding preparations and details with either a wide or extra wide lens. Photojournalists use off-camera flash cords to create images that tell a story in the same way a bride and groom want their photos to tell a story about their wedding day. On-camera detachable flash units illuminate subjects with direct head-on lighting that can make subjects appear flat, exaggerate skin imperfections or overexpose skin tones. Using an off-camera flash cord allows photographers to increase the distance between the camera and the light source to permit more creative flexibility with the use of angled lighting.
2Use the available light at the wedding ceremony with a camera lens that has a small f-number and use flash only for important shots at the ceremony. Important shots are the items expected or prioritized by the couple on a shot list that require flash in order to be shot at 100 to 300 ISO. Use a long zoom lens with a small f-number to distance yourself from the people who are photographed enough to produce images that capture people without the awareness of being photographed. This often results in purer emotional shots of the couple, family and guests. Try to use only ambient light at the ceremony to avoid intrusive photographic lighting that can distract the couple and guests at the wedding. Ambient light may be sunlight, indirect sunlight, candlelight and other interior lighting sources.Lenses with small f-numbers have greater light gathering ability. These lenses can capture subjects in motion without as much motion blur as larger f-numbers and are more suitable than lenses with large f-numbers in low-light environments. Ambient light usually requires camera ISO settings at 400 or greater.
3Set up monolight strobes on stands for important group shots or large scenes in low-light situations. Set up two or more stands that extend at least 10 feet in the air with one monolight strobe on each. Each strobe should have a large bounce umbrella, such as a 60-inch umbrella to produce maximum light spread. Use twostrobes at 45-degree angles on either side of the subject for larger group shots. Additional strobes can be set up as fill or backlighting. Set up the strobes adjacent to the dance floor at the reception to illuminate larger scenes of people dancing, scenes of the crowd and the bouquet and garter tosses.
Wedding photography usually demands a variety of lighting techniques. A well-rounded wedding shoot incorporates detachable flash units, ambient lighting and mono lights on stands to capture a variety of elements throughout the day's proceedings.
Instructions
- 1
Attach a detachable flash unit to your camera with an off-camera flash cord for photojournalistic shots of the wedding preparations and details with either a wide or extra wide lens. Photojournalists use off-camera flash cords to create images that tell a story in the same way a bride and groom want their photos to tell a story about their wedding day. On-camera detachable flash units illuminate subjects with direct head-on lighting that can make subjects appear flat, exaggerate skin imperfections or overexpose skin tones. Using an off-camera flash cord allows photographers to increase the distance between the camera and the light source to permit more creative flexibility with the use of angled lighting.
2Use the available light at the wedding ceremony with a camera lens that has a small f-number and use flash only for important shots at the ceremony. Important shots are the items expected or prioritized by the couple on a shot list that require flash in order to be shot at 100 to 300 ISO. Use a long zoom lens with a small f-number to distance yourself from the people who are photographed enough to produce images that capture people without the awareness of being photographed. This often results in purer emotional shots of the couple, family and guests. Try to use only ambient light at the ceremony to avoid intrusive photographic lighting that can distract the couple and guests at the wedding. Ambient light may be sunlight, indirect sunlight, candlelight and other interior lighting sources.Lenses with small f-numbers have greater light gathering ability. These lenses can capture subjects in motion without as much motion blur as larger f-numbers and are more suitable than lenses with large f-numbers in low-light environments. Ambient light usually requires camera ISO settings at 400 or greater.
3Set up monolight strobes on stands for important group shots or large scenes in low-light situations. Set up two or more stands that extend at least 10 feet in the air with one monolight strobe on each. Each strobe should have a large bounce umbrella, such as a 60-inch umbrella to produce maximum light spread. Use twostrobes at 45-degree angles on either side of the subject for larger group shots. Additional strobes can be set up as fill or backlighting. Set up the strobes adjacent to the dance floor at the reception to illuminate larger scenes of people dancing, scenes of the crowd and the bouquet and garter tosses.
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