The word photography is derived from the Greek photon, meaning light, and graphein, meaning write. Photography is writing, or creating an image, with light, which makes low light photography a bit more challenging. When taking photos, it is usually better to err on the side of having too much light, which is more easily fixed in editing than too little, because it is harder to lighten a dark photo without losing detail. However, there are ways to improve your odds of capturing a good image in low light situations.
Instructions
Low Light Photography Tips
- 1
The best and most obvious way to overcome a low lighting situation is to have a good flash, and be well within your flash range. Your flash range tells you how far your flash light will reach; in low light, you want to keep your subject at least twice as close as your flash range, if not closer. For example, if your flash range is 15 feet, you will want to be no more than 6 feet from your subject. The closer, the better.
2If you dont have a flash, take stock of whatever light source is available. Keep your subject close to the light source, with the light source shining on the front or side of the subject. If your subject is standing in front of the light source, with his back to it, youll end up with a silhouette.
3If your camera allows you to set your ISO speed, put it on a higher speed, such as 800 or 1600. Higher speed means higher sensitivity to light; however, higher speed also means more digital noise which can impact the quality of your image by causing graininess. For best results, try bracketing. Take several photos at different ISO speeds in order to choose the image that worked out best. Its always better to bracket and have a selection to choose from than to find that your one shot came out poorly.
4Another option your camera might have is to open up the aperture, which controls the amount of light coming through your lens. Think of it like the pupil of your eye: the more open it is, the more light it is letting in. To change your aperture, set your f-stop on a lower number, such as 2.8 or 4. The lower the f-stop, the larger the aperture, the more light that reaches your image sensor. Again, bracketing will benefit you.
5When all else fails, and if your camera offers you the option, change to a lower exposure speed. The exposure speed is the speed at which your camera exposes your digital imaging chip to light. While during a normal, sunlit day, you might take photos at 1/500 of a second, but for low light photography, especially at night, you might want to try to lower it to second, 1 full second, or several seconds. Never attempt to lower your shutter speed below 1/250 without using a tri-pod, or without setting your camera on something steady, or you will end up with a blur. Never use such low exposure sections on subjects that have even the slightest chance of even the most subtle movement, such as humans, or objects that can blow in a breeze. Low exposure should be reserved for stable, inanimate objects; reserve it for capturing something fixed, such as starry night landscapes or lightning storms. Of course, sometimes streaks and blurs are desirable, such as the streaking of car headlights across a bridge.
The word photography is derived from the Greek photon, meaning light, and graphein, meaning write. Photography is writing, or creating an image, with light, which makes low light photography a bit more challenging. When taking photos, it is usually better to err on the side of having too much light, which is more easily fixed in editing than too little, because it is harder to lighten a dark photo without losing detail. However, there are ways to improve your odds of capturing a good image in low light situations.
Instructions
Low Light Photography Tips
- 1
The best and most obvious way to overcome a low lighting situation is to have a good flash, and be well within your flash range. Your flash range tells you how far your flash light will reach; in low light, you want to keep your subject at least twice as close as your flash range, if not closer. For example, if your flash range is 15 feet, you will want to be no more than 6 feet from your subject. The closer, the better.
2If you dont have a flash, take stock of whatever light source is available. Keep your subject close to the light source, with the light source shining on the front or side of the subject. If your subject is standing in front of the light source, with his back to it, youll end up with a silhouette.
3If your camera allows you to set your ISO speed, put it on a higher speed, such as 800 or 1600. Higher speed means higher sensitivity to light; however, higher speed also means more digital noise which can impact the quality of your image by causing graininess. For best results, try bracketing. Take several photos at different ISO speeds in order to choose the image that worked out best. Its always better to bracket and have a selection to choose from than to find that your one shot came out poorly.
4Another option your camera might have is to open up the aperture, which controls the amount of light coming through your lens. Think of it like the pupil of your eye: the more open it is, the more light it is letting in. To change your aperture, set your f-stop on a lower number, such as 2.8 or 4. The lower the f-stop, the larger the aperture, the more light that reaches your image sensor. Again, bracketing will benefit you.
5When all else fails, and if your camera offers you the option, change to a lower exposure speed. The exposure speed is the speed at which your camera exposes your digital imaging chip to light. While during a normal, sunlit day, you might take photos at 1/500 of a second, but for low light photography, especially at night, you might want to try to lower it to second, 1 full second, or several seconds.
Enhance your photography skill,The Top Secret Photography Techniques
. Never attempt to lower your shutter speed below 1/250 without using a tri-pod, or without setting your camera on something steady, or you will end up with a blur. Never use such low exposure sections on subjects that have even the slightest chance of even the most subtle movement, such as humans, or objects that can blow in a breeze. Low exposure should be reserved for stable, inanimate objects; reserve it for capturing something fixed, such as starry night landscapes or lightning storms. Of course, sometimes streaks and blurs are desirable, such as the streaking of car headlights across a bridge.Expert photography blogs, tips, techniques, camera reviews ...
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