Saturday, May 31, 2014

Posted by Unknown |
Tips for Glamour Photography

Anyone can take a decent picture now and then. But there's nothing more satisfying for a photographer than the ability to take a great portrait--especially a glamour shot, a picture that brings out a subject's unique beauty. And to improve your own glamour shots, here are some tips and tricks to make your next portrait a great success.

Go Digital

    If you want to take a great glamour photo these days, you're in luck. You don't need a studio, thousands of dollars in equipment or budgets--just a decent digital camera (with zoom), and a few ordinary and inexpensive household items.Of course, you also have to have a little creativity and initiative.

Choose a Unique Location

    Contrary to popular belief, all great glamour photos are not taken indoors. Be creative. While you can take photos indoors in your own studio, you can also shoot in your subject's own home, capturing their beauty in their own comfort zone, or take pictures "on location"--in a park, by a lake, anywhere that serves as a flattering backdrop to your photo.

Pick an Overcast Day

    If you do decide to shoot outdoors, pick a comfortable environment (even better if it reflects your subject in some way--a museum for an art student, or an outdoor concert hall for a musician, perhaps), and pick a day that is at least slightly overcast. (If the day is sunny, use a reflector to fill in the shadows.)

Add Pizzazz to Interior Shoots

    If you're shooting inside, an interior shoot will give you more control over your environment and lighting. For your photo's background, look for an area or wall that offers aspects of glamour or sophistication--from a print or poster of city lights, to a luxurious couch or settee, to a rich wall color or pattern.

Use a Backdrop

    You can also achieve surprisingly professional results with homemade backdrops--a plain gray paper roll works wonders, and can be ordered inexpensively from a photo supply store, as do plain (not patterned) sheets. Steer toward rich tones and stay away away from stark white backdrops, which can be too harsh when photographed.

Go for Controlled, Soft Lighting

    Go for controlled lighting, preferably that is very soft, and not visible in the shot.
    Go for controlled lighting, preferably that is very soft, and not visible in the shot.

    What you want for a glamour shot is controlled lighting, preferably lighting that is very soft, and not visible in the shot. Experiment with a pink bulb for a softer touch, or various filters, or simply cover the lamp with a scarf or piece of lace.

Use Diffusers and Reflectors

    An ordinary umbrella can serve as a surprisingly effective reflector, helping you to direct and fill in the light as desired over your subject.
    An ordinary umbrella can serve as a surprisingly effective reflector, helping you to direct and fill in the light as desired over your subject.

    If you're shooting indoors, an ordinary umbrella can serve as a surprisingly effective reflector, helping you to direct and fill in the light as desired over your subject.

    Another inexpensive and invaluable tool for a great or glamorous portrait is some kind of reflecting device, which can fill in the shadows and make for a more flattering photo. A big, inexpensive piece of white poster board can make for a great reflector--and for just a few bucks. Reflectors and diffusers can flatten out the light, erase imperfections and make for a far more flattering picture.

Makeup, Wardrobe and Props

    For extra pizzazz, keep a few additional wardrobe props available for the shoot, from scarves, wraps and boas, to capes, jackets and more.
    For extra pizzazz, keep a few additional wardrobe props available for the shoot, from scarves, wraps and boas, to capes, jackets and more.

    When preparing to take a glamour photo, your subject in most cases can do her own makeup better than you, so simply direct her to do her own makeup as if she were preparing for a party or special event. Have her bring face powder, lip color and eyeliner to the shoot, for occasional touchups, as well.

    For wardrobe, have your subject show up with a few different tops to wear for the shoot, with varying necklines (and solid, rich colors tend to be more flattering than patterns or stripes). For extra pizzazz, keep a few additional wardrobe props available for the shoot, from scarves, wraps and boas to capes, jackets and more.

Create a Safe and Comfortable Atmosphere

    Glamour shoots can be intimidating, so have your subject bring along a friend (who can also act as an occasional assistant/helper). Most people photograph best from slightly above, so experiment by having her tilt her chin slightly, and with at least a few shots in which she looks up at you, and slightly from the side. Keep her at ease by providing feedback through the shoot, complimenting her on especially good looks, angles or moments.

Taking the Shot

    Vertical photos can be striking and distinctive, and add an air of formality to the image. Your shot should be at least a medium close-up, and experiment with going in closer, as well.
    Vertical photos can be striking and distinctive, and add an air of formality to the image. Your shot should be at least a medium close-up, and experiment with going in closer, as well.

    Most casual photos tend to be taken horizontally, so when taking a glamour shot, experiment with the framing. Vertical photos can be striking and distinctive and add an air of formality to the image. Your shot should be at least a medium close-up, and experiment with going in closer, as well.

    The era of digital photography means you're able to take an almost limitless number of photos in your glamour shot session, so snap away. Not all glamour shots automatically involve a smile. Sometimes the most unguarded or unposed moments can be the best.

Tweaking the Result

    While the real mark of a great photo is a superb result without further manipulation, you can certainly make subtle tweaks after the fact with photo manipulation software (and the world will never know). Image software allows for very simple manipulations that can make for a better photo even with little training in the software, allowing you to manipulate brightness and contrast, remove dust or scratches, correct lighting issues, soften or sharpen and more. Intensifying the contrast, for instance, can often make for a more dramatic photo.


Tips for Glamour Photography

Anyone can take a decent picture now and then. But there's nothing more satisfying for a photographer than the ability to take a great portrait--especially a glamour shot, a picture that brings out a subject's unique beauty. And to improve your own glamour shots, here are some tips and tricks to make your next portrait a great success.

Go Digital

    If you want to take a great glamour photo these days, you're in luck. You don't need a studio, thousands of dollars in equipment or budgets--just a decent digital camera (with zoom), and a few ordinary and inexpensive household items.Of course, you also have to have a little creativity and initiative.

Choose a Unique Location

    Contrary to popular belief, all great glamour photos are not taken indoors. Be creative. While you can take photos indoors in your own studio, you can also shoot in your subject's own home, capturing their beauty in their own comfort zone, or take pictures "on location"--in a park, by a lake, anywhere that serves as a flattering backdrop to your photo.

Pick an Overcast Day

    If you do decide to shoot outdoors, pick a comfortable environment (even better if it reflects your subject in some way--a museum for an art student, or an outdoor concert hall for a musician, perhaps), and pick a day that is at least slightly overcast. (If the day is sunny, use a reflector to fill in the shadows.)

Add Pizzazz to Interior Shoots

    If you're shooting inside, an interior shoot will give you more control over your environment and lighting. For your photo's background, look for an area or wall that offers aspects of glamour or sophistication--from a print or poster of city lights, to a luxurious couch or settee, to a rich wall color or pattern.

Use a Backdrop

    You can also achieve surprisingly professional results with homemade backdrops--a plain gray paper roll works wonders, and can be ordered inexpensively from a photo supply store, as do plain (not patterned) sheets. Steer toward rich tones and stay away away from stark white backdrops, which can be too harsh when photographed.

Go for Controlled, Soft Lighting

    Go for controlled lighting, preferably that is very soft, and not visible in the shot.
    Go for controlled lighting, preferably that is very soft, and not visible in the shot.

    What you want for a glamour shot is controlled lighting, preferably lighting that is very soft, and not visible in the shot.

    Enhance your photography skill,The Top Secret Photography Techniques

    . Experiment with a pink bulb for a softer touch, or various filters, or simply cover the lamp with a scarf or piece of lace.

Use Diffusers and Reflectors

    An ordinary umbrella can serve as a surprisingly effective reflector, helping you to direct and fill in the light as desired over your subject.
    An ordinary umbrella can serve as a surprisingly effective reflector, helping you to direct and fill in the light as desired over your subject.

    If you're shooting indoors, an ordinary umbrella can serve as a surprisingly effective reflector, helping you to direct and fill in the light as desired over your subject.

    Another inexpensive and invaluable tool for a great or glamorous portrait is some kind of reflecting device, which can fill in the shadows and make for a more flattering photo. A big, inexpensive piece of white poster board can make for a great reflector--and for just a few bucks. Reflectors and diffusers can flatten out the light, erase imperfections and make for a far more flattering picture.

Makeup, Wardrobe and Props

    For extra pizzazz, keep a few additional wardrobe props available for the shoot, from scarves, wraps and boas, to capes, jackets and more.
    For extra pizzazz, keep a few additional wardrobe props available for the shoot, from scarves, wraps and boas, to capes, jackets and more.

    When preparing to take a glamour photo, your subject in most cases can do her own makeup better than you, so simply direct her to do her own makeup as if she were preparing for a party or special event. Have her bring face powder, lip color and eyeliner to the shoot, for occasional touchups, as well.

    For wardrobe, have your subject show up with a few different tops to wear for the shoot, with varying necklines (and solid, rich colors tend to be more flattering than patterns or stripes). For extra pizzazz, keep a few additional wardrobe props available for the shoot, from scarves, wraps and boas to capes, jackets and more.

Create a Safe and Comfortable Atmosphere

    Glamour shoots can be intimidating, so have your subject bring along a friend (who can also act as an occasional assistant/helper). Most people photograph best from slightly above, so experiment by having her tilt her chin slightly, and with at least a few shots in which she looks up at you, and slightly from the side. Keep her at ease by providing feedback through the shoot, complimenting her on especially good looks, angles or moments.

Taking the Shot

    Vertical photos can be striking and distinctive, and add an air of formality to the image. Your shot should be at least a medium close-up, and experiment with going in closer, as well.
    Vertical photos can be striking and distinctive, and add an air of formality to the image. Your shot should be at least a medium close-up, and experiment with going in closer, as well.

    Most casual photos tend to be taken horizontally, so when taking a glamour shot, experiment with the framing. Vertical photos can be striking and distinctive and add an air of formality to the image. Your shot should be at least a medium close-up, and experiment with going in closer, as well.

    The era of digital photography means you're able to take an almost limitless number of photos in your glamour shot session, so snap away. Not all glamour shots automatically involve a smile. Sometimes the most unguarded or unposed moments can be the best.

Tweaking the Result

    While the real mark of a great photo is a superb result without further manipulation, you can certainly make subtle tweaks after the fact with photo manipulation software (and the world will never know). Image software allows for very simple manipulations that can make for a better photo even with little training in the software, allowing you to manipulate brightness and contrast, remove dust or scratches, correct lighting issues, soften or sharpen and more. Intensifying the contrast, for instance, can often make for a more dramatic photo.



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Posted by Unknown |
How to Take Color Pictures Under Fluorescent Light

Fluorescent lights are effective for creating bright, white illumination, however fluorescent lights have a slightly green color. This may not be apparent to the naked eye, however color photographs taken under fluorescent lights will inevitably reveal the green hue. Eliminate the green hue from your color photographs by either adjusting the white balance on your camera or by using a fluorescent filter cap on your camera lens. Setting the white balance will adjust the way the camera reads color in order to balance out fluorescent lights. Use a fluorescent filter cap if you have a film camera and white balancing is not an option. Fluorescent filters are slightly red in order to neutralize the green light as it enters the lens. Filter caps are made to fit most camera lenses and lens adapters are available if needed.

Instructions

White Balancing

    1

    Look up White Balancing in your cameras user manual if you have a digital camera. Learn how to navigate to the White Balance menu on your camera.

    2

    Under the White Balance menu, locate and select Fluorescent. This is often indicated with a fluorescent tube shaped icon.

    3

    Proceed taking images. Remember to reset the white balance when you change lighting situations again.

Fluorescent Filter Caps

    4

    Clean the end of your lens with a micro-fiber cloth or a lens brush to remove any dust particles.

    5

    Hold the filter cap along the plastic edges only in order to prevent getting fingerprints or oil from you hands on the filter.

    6

    Clean both sides of the filter with a micro-fiber cloth or a lens brush to remove any dust particles.

    7

    Screw the filter cap onto the lens threads.


How to Take Color Pictures Under Fluorescent Light

Fluorescent lights are effective for creating bright, white illumination, however fluorescent lights have a slightly green color. This may not be apparent to the naked eye, however color photographs taken under fluorescent lights will inevitably reveal the green hue. Eliminate the green hue from your color photographs by either adjusting the white balance on your camera or by using a fluorescent filter cap on your camera lens. Setting the white balance will adjust the way the camera reads color in order to balance out fluorescent lights. Use a fluorescent filter cap if you have a film camera and white balancing is not an option. Fluorescent filters are slightly red in order to neutralize the green light as it enters the lens. Filter caps are made to fit most camera lenses and lens adapters are available if needed.

Instructions

White Balancing

    1

    Look up White Balancing in your cameras user manual if you have a digital camera. Learn how to navigate to the White Balance menu on your camera.

    2

    Under the White Balance menu, locate and select Fluorescent.

    Enhance your photography skill,The Top Secret Photography Techniques

    . This is often indicated with a fluorescent tube shaped icon.

    3

    Proceed taking images. Remember to reset the white balance when you change lighting situations again.

Fluorescent Filter Caps

    4

    Clean the end of your lens with a micro-fiber cloth or a lens brush to remove any dust particles.

    5

    Hold the filter cap along the plastic edges only in order to prevent getting fingerprints or oil from you hands on the filter.

    6

    Clean both sides of the filter with a micro-fiber cloth or a lens brush to remove any dust particles.

    7

    Screw the filter cap onto the lens threads.



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The Negative Density of Film

The density of film refers to the amount of light a negative transmits. The denser or more blocked from light the sections of a negative are, the darker they will be in print. This is called negative film density. A system of measurement ranging from minimum to maximum called log density is used to assess the tonal range of negatives.

Log Densities

    Log density is a simple ratio expressed as a logarithm. On a scale from minimum to maximum, "Dmax" is the maximum density or the most negative film density that a print can have. The higher the Dmax in portions of the negative, the better quality the black will be in those areas in the final print.

Tonal Ranges

    A negative with a short tonal range, meaning that there is less variation in the gradations of light, is considered to be of low negative film density. Conversely, a negative with a lot of tonal variation is described as having a long tonal range and a high negative film density.

Film Base and Fog

    A 35 mm negative has a basic gray film base. The emulsion on the film base has a certain minimum density referred to as "fog." Fog is the result of a small proportion of unexposed emulsion being developed. The film base and the emulsion usually absorb half of the light that is it exposed to, while reflecting the other half.

Determining Negative Film Density

    Film densities above film base and fog (fb + f) are the way that negative densities are expressed. Film base plus fog (fb + f) density is the equivalent of a 2x blocking factor, expressed as the ratio 2x, in stops (1 stop) or as a logarithm of the ratio. The logarithm to base 10 of 2 is rounded up to a 0.30 density.

Further Examples of Calculating Negative Film Density

    If a certain section of the negative allows one-third of the light to burn through, it is described as having a blocking factor (blocking of light) of 3x. This is expressed as the ratio 3x, in stops (1.5) or using log density, the log to a base of 10 of 3, and rounded to the nearest hundredth decimal, to equal .48.

    If a different section of the film allows no more than one-thousandth of the available light to burn, the ratio is described as 1,000x; in stops (10) or as a log density of 1,000 or 3.0.

Exposure, Development and Negative Film Density

    Overexposed film is considered "blocked-up" or not transparent and has a high negative density. Underexposed film is considered "clear" and has a lower negative density. While exposure determines the detail of the shadows, development determines the highlight detail placement. Using log densities you can reduce your development time and produce a "thinner" negative, which is suggested for compatibility within the range of most scanners to print well. While a thin or underexposed and/or underdeveloped negative produces prints that scan well, higher paper grades and filters may be used to print the detail of the shadows.

Using Exposure to Control Density

    You can manipulate the negative density of your film by overexposing it, but you sacrifice the tonal variations in the process.

    Conversely, underexposing your negative in order to manipulate density may make the images appear as black and featureless.


The Negative Density of Film

The density of film refers to the amount of light a negative transmits. The denser or more blocked from light the sections of a negative are, the darker they will be in print. This is called negative film density. A system of measurement ranging from minimum to maximum called log density is used to assess the tonal range of negatives.

Log Densities

    Log density is a simple ratio expressed as a logarithm. On a scale from minimum to maximum, "Dmax" is the maximum density or the most negative film density that a print can have. The higher the Dmax in portions of the negative, the better quality the black will be in those areas in the final print.

Tonal Ranges

    A negative with a short tonal range, meaning that there is less variation in the gradations of light, is considered to be of low negative film density. Conversely, a negative with a lot of tonal variation is described as having a long tonal range and a high negative film density.

Film Base and Fog

    A 35 mm negative has a basic gray film base. The emulsion on the film base has a certain minimum density referred to as "fog." Fog is the result of a small proportion of unexposed emulsion being developed. The film base and the emulsion usually absorb half of the light that is it exposed to, while reflecting the other half.

Determining Negative Film Density

    Film densities above film base and fog (fb + f) are the way that negative densities are expressed. Film base plus fog (fb + f) density is the equivalent of a 2x blocking factor, expressed as the ratio 2x, in stops (1 stop) or as a logarithm of the ratio. The logarithm to base 10 of 2 is rounded up to a 0.30 density.

Further Examples of Calculating Negative Film Density

    If a certain section of the negative allows one-third of the light to burn through, it is described as having a blocking factor (blocking of light) of 3x. This is expressed as the ratio 3x, in stops (1.5) or using log density, the log to a base of 10 of 3, and rounded to the nearest hundredth decimal, to equal .48.

    If a different section of the film allows no more than one-thousandth of the available light to burn, the ratio is described as 1,000x; in stops (10) or as a log density of 1,000 or 3.0.

Exposure, Development and Negative Film Density

    Overexposed film is considered "blocked-up" or not transparent and has a high negative density. Underexposed film is considered "clear" and has a lower negative density. While exposure determines the detail of the shadows, development determines the highlight detail placement. Using log densities you can reduce your development time and produce a "thinner" negative, which is suggested for compatibility within the range of most scanners to print well. While a thin or underexposed and/or underdeveloped negative produces prints that scan well, higher paper grades and filters may be used to print the detail of the shadows.

Using Exposure to Control Density

    You can manipulate the negative density of your film by overexposing it, but you sacrifice the tonal variations in the process.

    Conversely, underexposing your negative in order to manipulate density may make the images appear as black and featureless.



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